Galerie
Street photography by Anders Peterson
‘In 1967, Anders Petersen started to photograph the late-night regulars (prostitutes, transvestites, drunks, lovers, drug addicts) in a bar in Hamburg, Germany, named Café Lehmitz, and continued that project for three years. His photobook of the same name, published in 1978, has since become regarded as a seminal book in the history of European photography.
‘The people at the Café Lehmitz had a presence and a sincerity that I myself lacked. It was okay to be desperate, to be tender, to sit all alone or share the company of others. There was a great warmth and tolerance in this destitute setting.’
- Anders Petersen’
The Fairy Ballet Carnival
And many more Destructions played
In this ghastly masquerade,
All disguised, even to the eyes,
Like bishops, lawyers, peers, or spies.
Last came Anarchy; he rode
On a white horse, splashed with blood;
He was pale even to the lips,
Like Death in the Apocalypse.
PB Shelley - The Masque of Anarchy, 1832
Enter the Owls and Crows
Alizon the Surly & his dragon
Jaqueline & an owl
The Last Emperor
Enter the Head Cutters
“The designs [above] are from the workshop of Daniel Rabel (1578-1637), the artist responsible for creating costumes for the spectacular entertainments performed by and for the French court. The ballets were based on the social dances of the day, but this was social dance elevated to an elaborate art form which combined choreography with poetry, music, song and pageanty, and included elements of satire and burlesque.”
Embriodered Illustrations by Izziyana Suhaimi
“Endlessly curious. My work primarily involves the use of embroidery. I am interested in collapsing the boundaries between traditional and popular cultures and exploring the links that exist between these two. My work examines how this particular mishmash manifests itself in modern times, especially concerning modern youths. Preferring to work with craft-based techniques, I am attracted to the evidence of the hand and its time-consuming aspect, which runs counter to the instant gratification and mass-production centred age of today. My works have been exhibited in Singapore, the Philippines, Taiwan and Japan.” Izziyana Suhaimi
